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Rain Rain Go Away — Kalimba Tabs & Number Notation

Learn to play Rain Rain Go Away on kalimba with free numbered tabs, interactive player, and beginner-friendly practice tips. Original by Traditional. No download required.

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Rain Rain Go Away

雨啊雨快走开

beginner13s
0:000:13
Keyboard

Interactive tab notes

Click any standard 17-key kalimba number to preview it. Symbols below the notes show approximate length.

24 notes
♪ short♩ medium♩· long𝅗𝅥 very long
1.00xSPEED

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Numbered Notation for Rain Rain Go Away

How to read: Numbers (1–7) represent C Major scale notes. No dot = middle octave. ° = lower octave. ' = higher octave. Parentheses ( ) = play notes together as a chord. Standard 17-key kalimbas follow this layout perfectly.

| 1 2 3 1 1 |
| 2 3 1 3 4 |
| 5 3 4 5 |
| 5 6 5 4 3 1 1 |
| 2 5 1 |

About Rain Rain Go Away

Rain Rain Go Away is one of those nursery rhymes that feels like it's been around forever. It's short, simple, and instantly recognizable—perfect for someone picking up a kalimba for the first time. The song stays in C major with no accidentals, so every note you need is right there on the standard 17-key layout. What makes it special for kalimba is the repetitive, stepwise melody that lets you focus on clean thumb strikes and alternating thumbs. Since the tune only lasts about 13 seconds, you can loop it over and over without getting exhausted—ideal for building muscle memory. The lyrics are about wishing the rain would go away so you can play, which fits the joyful, childlike spirit of the kalimba. Beginners love it because there are no tricky jumps or fast runs. Every note falls naturally under the thumbs. The pattern goes up and down the scale in a comfortable way, making it a confidence booster. Plus, the song has that nostalgic, cozy feeling. When you play it on kalimba, the bright, bell-like tones really bring out the playful mood.

How to Play Rain Rain Go Away on Kalimba

Start with your thumbs on the center row. The melody begins on C (the longest key in the middle). You'll play C twice, then move to E twice, then to G twice. That 'up-up-up' climb feels satisfying. After that, you go back down: G, E, D, C. Notice the D is on the right side of the kalimba—a good chance to practice alternating thumbs. The right thumb handles the higher notes (E, G, F), while the left thumb takes the lower C and D. The tricky part is the transition from G back to E—it's a small jump but you need to land accurately. Slow it down to half speed. Play each note deliberately, making sure you don't accidentally brush neighboring keys. The last two notes (D and C) are close together, so keep your thumb movement small and controlled. Since the song repeats exactly the same phrase for 'Come again another day,' you get double practice on the pattern. Use the middle of your thumb pad, not the tip, for a warmer tone.

Why This Song Fits Beginner Players

This song is rated beginner because it uses only five notes (C, D, E, F, G) in a simple ascending and descending pattern. It teaches you to strike each key cleanly, alternate thumbs naturally, and navigate small jumps. The repetitive structure builds confidence without overwhelming you. After a few runs, you'll have the muscle memory for a foundational scale movement that appears in many other simple tunes.

Chords & Key Signature

The song is in C major with no chords—just a single-note melody. That's perfect for early learning. Key signature has no sharps or flats. All notes (C, D, E, F, G) are on the middle row of a 17-key kalimba, so you don't need to reach for the outer rows.

Practice Tips

  • Play the first two notes (C-C) with your left thumb, then switch to right thumb for E-E and G-G to build alternation habit.
  • Slow down the transition from G to E—it's a two-key jump. Land your thumb exactly on the edge of E, not the center.
  • Repeat only the first line four times before adding the second line. It helps lock in the ascending pattern first.
  • Use a metronome set to 55 BPM (half of 110). Play each note on a tick, then gradually increase speed.
  • When coming back down from G, keep your wrist relaxed. Tight wrists make the jump to D feel awkward.
  • Record yourself and listen for uneven volume. The D note tends to be louder because it's on the outer row; play it softer.
  • Hum the melody while you play to internalize the phrasing—this makes timing feel more natural.
  • Practice with eyes closed for the last five reps. It forces your thumbs to rely on feel, not sight.

Try it on the virtual kalimba

Open the 17-key virtual kalimba and play Rain Rain Go Away note by note. Hear the melody, practice the flow, and build muscle memory.

Open Virtual Kalimba

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FAQ

The jump from G back to E feels tricky. How do I hit it accurately every time?

Practice that jump in isolation. Play G, then lift your thumb and land directly on E without looking. Do it ten times slowly. Your thumb will learn the distance. Also, make sure your thumb isn't sliding sideways—lift straight up and come straight down.

Can I play this song with both thumbs at once like a chord?

The arrangement is single-note melody, so stick to one note at a time for now. Once you're comfortable, you could try adding a soft C drone on the lower left row with your left thumb while playing the melody with the right, but that's an advanced trick.

Why does my D note sound buzzy compared to the others?

The D key on many kalimbas is shorter and sits near the edge of the slot. Strike it closer to the center of the tine, not near the end. Also check if the tine is slightly misaligned—gently nudge it to center.

How do I make the two repeated notes (C-C, E-E) sound even instead of like a stutter?

Keep the same thumb stroke speed for both notes. The tendency is to play the first note longer and the second one rushed. Deliberately give each note equal time by counting 'one-and-two-and' as you play.

Is 13 seconds too short to practice? I feel like I'm not getting enough repetition.

Loop it! Play the 13-second phrase four or five times in a row without stopping. You'll get more repetition than a longer song that you only play once. It's actually great for habit formation.

Should I practice this song slowly first?

Yes. Slow practice helps you build clean note transitions and steadier rhythm before speed becomes a goal.

What should I play next after this song?

A related kids song or another beginner tab is usually the best next step because the skill transfer is smoother.

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